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Improve Your Positional Chess
Reviewed by Rick Kennedy
 

by Carsten Hansen

Gambit (2004)

ISBN: 978-1-904600-00-8

Softcover, 192 pages

Figurine algebraic notation

 

Chess is 99% tactics.

– Richard Teichmann

I can comprehend Alekhine's combinations well enough; but where he gets his attacking chances from and how he infuses such life into the very opening - that is beyond me.

– Rudolf Spielmann


If chess books were only football cheers, the above would be all I would need to describe Carsten Hansen’s Improve Your Positional Chess.  Plus, perhaps, a snippet from Antoine de Saint Exupéry. But that will come later.

Fortunately, there is so much more to Hansen’s “practical guide to making positional decisions” (as the book is sub-titled) than mere aphorisms, although I suppose I should give the author his due, first:  "I think that chess is at least 90% based on positional factors."

Improve Your Positional Chess, by the well-known Danish FIDE Master and columnist for Chess Café, came out in 2004.  If you somehow missed it, I’d like to try to persuade you to give it a look.  If Seirawan’s Winning Chess Strategies was a shot in the arm for the new or developing chess player, Hansen’s book is a double shot for the top-club-and-better warrior.  If you’ve ever wondered why positional players like Petrosian and Karpov were also excellent tacticians, Improve Your Positional Chess will give you some pretty good insights.

What Hansen excels at is choosing the right examples to illustrate his points – and providing illuminating words to make them accessible to the reader.  Each chapter then has Exercises at the end to test and expand the reader’s understanding.  Let’s take a quick walk through the book.

Part 1: General Terms

1 Understanding Imbalances:  “I hope the subject for this chapter doesn’t scare you off completely. If it sounds way over your head, please trust me: it isn’t half as complicated as it sounds. Imbalances are the factors in any given position that determine who is better, who has the initiative and who can play for the win.”  [Reviewer’s Note: Everyone seems to be using the word “imbalance” these days, and it would be nice if someone at least nodded in the general direction of Jeremy Silman, whose Reassess Your Chess gave an in-depth and accessible explanation of this valuable idea.]

2 What is the Initiative?:  “In this chapter, I provide an introduction to the initiative, and examples of what kinds of initiative you can have. This is not meant to be an all-exhaustive study of the initiative, but rather to open your eyes to what it can consist of, so that when you play your games, you can establish who has the initiative and possibly find a good way to counter it.

3 The Quest for Weaknesses:  “Even those with just the most basic understanding of chess will have some ideas as to what constitutes a weakness, much like what constitutes a strength. For example, an isolated or doubled pawn will often be a weakness that all of us will recognize. However, as players become stronger ,and the more experience they gain, they become adept at detecting even the smallest and apparently insignificant weaknesses.

Part 2: Relative Value of Pieces

4 Cats and Dogs: Knights and Bishops:  “On the point scale, the knight and bishop are worth about the same, approximately three pawns, but that’s about where the similarities between these two pieces ends.”

5 Not Only Open Files – Working With Rooks:  “The rooks on the surface appear to be fairly simple pieces a they are only able to move along ranks and files, but I want to convey to you that food understanding of proper rook handling is an open door to many points on the scoreboard.

6 The Exchange:  “There are about as many reasons why you would want to sacrifice the exchange as there are ways of doing so. There are, however, some common denominators that are worth familiarizing yourself with. Note that many players have hang-ups about sacrificing material and therefore will not consider sacrificing, nor that the opponent will do so.

7 The Worth of a Queen:  “My personal opinion is that the queen is a fairly overrated piece. Many players place far too much emphasis on the queen and consider it almost priceless.

Part 3: Dealing with Pawns

8 Structural Weaknesses:  “One of the keys to successful positional play is to understand the impact of structural weaknesses. These com in all shapes and sizes, and knowing how to identify them and exsploit them is a major difference between stronger and weaker players.

9 Pawn Sacrifices:  “The point is that the sooner you start realizing the importance of understanding material imbalances positional imbalances, the sooner your level of chess will improve.

Part 4: Big Decisions

10 Where to Attack and How:  “A key element in positional chess is identifying weaknesses and determining which are more significant than others, and thus deciding where to attack.

11 Your Turn – Exercises:  “These exercises vary tremendously in difficulty so don’t be discouraged if you cannot solve them.  And take your time to solve them…”  [Reviewer’s Note: The thirty exercises in Chapter 11 are in addition to those that follow each chapter.  The latter range from two to six exercises in number, with an average of four.]

12 Solutions to Exercises

Index of Games

The instructional value of Improve Your Positional Chess turns on how well Hansen can make positions played by masters and grandmasters turn into object lessons for the rest of us.  After working through a few, I was impressed at how much the author could reveal.  It was like I was a “grown-up” in that scene in Antoine de Saint Exupéry’s The Little Prince

And after some work with a colored pencil I succeeded in making my first drawing.  My Drawing Number One.  It looked something like this:

I showed my masterpiece to the grown-ups, and asked them whether the drawing frightened them.

But they answered: "Frighten? Why should any one be frightened by a hat?"

My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant.  But since the grown-ups were not able to understand it, I made another drawing: I drew the inside of a boa constrictor, so that the grown-ups could see it clearly.  They always need to have things explained.  My Drawing Number Two looked like this:

Let me give you a couple of examples.  I will give only the starting positions and the initial evaluation provided by Hansen.  He annotates each game to its conclusion in similarly helpful style:

The following example is another illustration of isolating the bad piece, and how little extra is needed to secure a win from such a position.








Z. Almasi – Züger
Horgen 1995

We have a fairly typical situation: Black has a bad bishop hemmed in by his pawns that are locked on the light squares.  Meanwhile, White has a strong centralized knight, which takes the entry-square on c2 away from Black’s rooks as well as supporting a possible f5 break on the kingside.  At some point, White would like to exchange the rooks to accentuate the strong knight vs bad bishop imbalance, but before this can happen, White needs to provoke more weaknesses in Black’s pawn-structure, as he otherwise will find no way to penetrate Black’s solid position…

Example number two:








Karpov – Ivkov
Bugojno 1980

At first glance this position doesn’t appear particularly easy to evaluate.  The queens and the c-, d- and e-pawns have been exchanged.  Black’s minor pieces are actively posted, while White’s pieces, with the notable exceptions of the rook on e1 and the knight on f5, look fairly passive.  So, Black is better, right?!  Not so fast, please.  Before a correct evaluation can be made, we have to look at how the pieces are placed; both black knights and the d5-bishop are on squares where they cannot reasonably be expected to stay.  The knights can be kicked away and the one on a5 is almost out of play.  White’s pieces have yet to be developed, but combined with pawn advances they can be developed to more favourable squares with tempo.  Therefore I am of the opinion that White has a small advantage.

The first step is to kick the knight away from c4 to the less active and less attractive b6-square…

Improve Your Positional Chess is well laid out – double columned, good use of fonts, bolding, italics, white space and diagrams – as is expected from a Gambit publication.  I did not notice any typos or dypos. The explanation of Symbols and the Bibliography (!) at the beginning of the book were well appreciated.  In the Foreword and Acknowledgements the author writes:

Thanks for picking this book up.  I’m sure that with careful study it will help you understand the intricacies of positional chess much better and guide you to making better decisions throughout the course of all your games.

I couldn’t have put it better myself.
 

From the publisher's web site:

Download a PDF file
with a sample from the book.


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