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Dealing with d4 Deviations
Fighting the Trompowsky, Torre, Blackmar-Diemer,
London, Colle and other Problem Openings
Reviewed by Michael Jeffreys
 

by John Cox

Everyman Chess, 2005

ISBN 1857443993

144 Pages, softcover

Figurine Algebraic Notation


About time! (Sort of…)

“I begged Everyman Chess to let me write this book.”  –John Cox (pg. 6)
 

I’m not sure why it took so long, but finally here is a new book out covering the non-mainline d4 openings.  There have been books written on the Trompowsky and the Veresov [Editor's Note: See The Trompowsky by Nigel Davies, and Winning With the Trompowsky by Peter Wells], but nowhere could you find suggestions for what to do against many of these so called “off beat” openings all in one book… until now.  (There is the Foxy Openings video by IM Andrew Martin called, “Annoying d-pawn openings,” but that came out in 1996!)

And I must say, it’s about time!  While new books on the Ruy or the Sicilian seem to come out almost every other month, there hasn’t been anything new written on, for example, the Blackmar-Diemer Gambit since 1999 (by Rev. Tim Sawyer).

And yet, as you can see from the quote above, John Cox had to beg Everyman to let him write this book.  Honestly, I don’t understand why the chess publishers have waited so long to address this woefully under-covered area of opening theory.  (Of course, you could subscribe to Chess Publishing.com, which is really the only current source of coverage of these lines, but I’m talking about a book that you can hold in your hands!)

So, what are the d4 deviations? They are:

  • The Trompowsky

  • The Pseudo-Trompowsky

  • The Torre Attack

  • The Hebden Torre

  • The London System

  • The Colle System

  • The Veresov

  • The Blackmar-Diemer Gambit

  • Anti-Benoni Lines

Cox admits openly in the book’s introduction that there were six reasons why he had failed to do well against these openings in the past:

1. The most obvious point—I didn’t actually have a repertoire at all against, say, the Colle.  You just play chess, right?  Develop the pieces and equalize.

 

2. I was bored by these openings: I didn’t consider them interesting.

 

3.  Not only did I not consider them interesting, I didn’t consider them dangerous.

 

4. A less obvious point, this: to combat these openings successfully requires a good knowledge of many structures.  A good chess education, in fact.

 

5. I didn’t experience the adrenalin surge I got defending ‘my’ openings.

 

6. Lastly, I wasn’t playing set-ups I was happy and had experience with.

I suspect that more than a few chess players suffer from one or more of the above ‘afflictions.’  It’s sort of like if you don’t see your enemy's big stick out in the open, than he must not have one (as opposed to say, the Sicilian, when as soon as you see 1…c5, you know you’re in for a fight).  And then comes the next flawed bit of thinking that leads one down the road to doom: “I can just play anything against these weak openings.”

This said, I think more and more Black players are starting to realize that they had better have something prepared, in advance, to these so called “innocuous” openings.  So, they go to their bookshelves to find some recommendations, and they find…very little!

Thus it would appear that this new book should be eagerly awaited by the chess community, as even if you don’t play any of these openings, odds are you face them from time to time.  With all this in mind, let’s take a look at Dealing with d4 Deviations, and see what Mr. Cox has to offer.

Chapter One: The Trompowsky

1.d4 Nf6 2.Bg5








Since I play this opening, I was quite interested to see what Cox recommended as  Black’s best defense.  His suggestion? 2…e6!?  Says Cox: “The most natural move, really, certainly for Nimzo/Queen’s Indian types.  Black refuses to allow his pawn formation to be damaged and declines also to put his knight into e4 and allow White various f3/e4 ideas…”

(By the way, this was also the recommended move that IM Andrew Martin gave against the Trompowsky on the aforementioned “Annoying d-pawn” video.)

Now, the natural 3.e4 can no longer be recommended as 3…h6 4.Bxf6 (forced, as 4.Bh4? costs White a valuable center pawn after 4…g5 and 5…Nxe4) 4…Qxf6 leaves Black with a perfectly fine game.  White’s pawn center simply is not quite enough compensation for having giving up the bishop pair.

The current move for White here (as given by, ironically, IM Andrew Martin on his new DVD on the Trompowsky) is the solid 3.e3., which Cox seems to concur with as the best move as he says it scores better in his database than does 3.e4. He then gives 3…h6 4.Bh4 c5 with play transposing into a Torre attack after either 5.c3 or 5.Nf3.

Cox’s recommendation for both sides leads the game into solid play where he’s right that White doesn’t really get much.  Indeed, Cox goes so far as to, in the last sentence of chapter one, refer to White’s set-up as “these rather dull white systems.”

But not so fast, Mr. Cox!  White does not have to play as you suggest.  And this is why I prefer Martin’s recommendation on his DVD on the Tromp where White castles queenside and throws his kingside pawns forward at Black’s king!  Against this plan Cox doesn’t give any recommendations, so if White “plays it straight” and castles kingside you’re fine, but if he “switches it up” and goes queenside, you will be on your own.

I suspect that more than a few Black players are going to be in for a nasty surprise after we Tromp players spring IM Martin’s suggestion on them.  While a book like this can’t cover everything, I would have liked Mr. Cox to at least give one recommendation against White’s plan of castling queenside.

Chapter Two: The Pseudo-Trompowsky

1.d4 d5 2.Bg5








Who says 2.Bg5 can only be played against 1…Nf6?  In the Pseudo-Tromp, White plays it against 1…d5 as well!  Both GM Mickey Adams and, of course, GM Julian Hodgson have played this opening.  Cox recommends Black immediately put the question to the bishop with 2…h6. There follows 3.Bh4 c6 and now Cox gives two moves for White: 4.Nf3 and 4.e3, saying, “Often enough these lead to the same thing: the former only has independent significance if White intends a controversial gambit, which in line with my churlish policy I suggest you decline.”

The gambit Cox is referring to goes:

4.Nf3 Qb6 5.Qc1 g5 6.Bg3 g4 7.Ne5 Qxd4

And Black has snaffled a button.  However, the author feels that Black’s game is good enough that he has no reason to go pawn grabbing and then have to deal with the ensuing complications.  However, my Big Database 2005 gives eight wins for White and seven for Black in this apparently rare line, so if I were Black I might just grab the pawn and make White “prove it.”








Anyway, after 4.Nf3 Qb6 5.Qc1 Cox likes 5…Bf5, and after 6.c4 e6 7.Nc3 Be7 we get...








…when Black has certainly equalized.  This is why I prefer 4.e3 for White which has the approval of GM Adams.  Here he uses it to win a game in 2004:

Adams, Michael (2738) - Bocharov, Dmitry (2569)
EU-ch Internet final playchess.com INT (1.3), 07.11.2004

1.d4 d5 2.Bg5 h6 3.Bh4 c6 4.e3 Qb6 5.b3 e5 6.Nf3 e4 7.Nfd2 Ne7 8.c4 Nf5 9.Bg3 Nxg3 10.hxg3 Be6 11.a3 Nd7 12.Nc3 Be7 13.Be2 0–0 14.0–0 f5 15.b4 Nf6 16.Nb3 g5 17.Nc5 Bf7 18.cxd5 cxd5 19.Rc1 Rab8 20.f3 Kg7 21.fxe4 fxe4 22.Rf5 Qd6 23.Qe1 b6 24.Nb5 Qd8 25.Na6 Rc8 26.Rf1 Qd7 27.Nbc7 Bd8 28.Bb5 Qd6 29.Rc6 Qe7 [diagram]








30.Nxd5 Nxd5 31.Rxc8 Qe6 32.Rc6 Qe7 33.Rc1 h5 34.Bc4 Qd6 35.b5 h4 36.gxh4 gxh4 37.Rf5 Qd7 38.Qf2 Nxe3 39.Rxf7+ Rxf7 40.Qxf7+ Qxf7 41.Bxf7 Kxf7 42.Kf2 Nf5 43.Nb4 e3+ 44.Ke1 Nxd4 45.Nc6 Nxc6 46.Rxc6 Be7 47.a4 Ke8 48.Ke2 Bc5 49.Rc7 1–0

Not only did Bocharov lose this game playing 5…e5, but so did Nigel Short against Adams in 1992.  This is why Cox recommends playing the solid 5…Bf5 followed by 6…e6, and Black doesn’t have any problems, which seems about right.

Chapter Three: The Torre Attack

1.d4 Nf6 2.Nf3 e6 3.Bg5








As in the Tromp, Cox recommends immediately putting the question to the bishop with 3…h6.  Now if White plays 4.Bxf6, after 4…Qxf6 5.e4 we have transposed into the above Tromp line that is no longer seen as giving White an edge.  So White should save his bishop and play 4.Bh4 and now Cox suggests 4…d6:

Another cunning little move from the Romanian stable; this one developed by Mihai Suba and Marin. Black still intends …g5 and …Nh5 in due course, but he doesn’t want to go for the bishop at once and allow the position after 4…g5 5. Bg3 Nh5 6. c3 d6 7. e4 Bg7 8. Nfd2 Nxg3 9. hxg3, which Marin judges slightly better for White. It certainly isn’t beyond dispute that’s true, but there’s no harm in waiting for Nbd2 before going after the bishop. Black incidentally, has scored 60% after the move 4…d6.

According to my Fritz Powerbook 2004, 4…d6 and 4…c5 both score 57%, with the latter being more than twice as popular as the former.  By the way, back in 1995 GM Plaskett put out a Foxy Opening Video on the Torre.  In it, he gives two games with 3…h6 and 4.Bh4, and in both Black played 4…c5.  Noteworthy is that the player of the Black pieces in one of the games was Kasparov!  And playing against him as White?  The late Tony Miles!  It was a very interesting game which ended in a draw.

Okay, after Cox’s 4…d6, he gives four moves for White: 5. h3 (making a space for the Bishop on h2 if/when Black goes after it); 5. Nc3 (developing the knight to its best square and guarding e4); 5. Nbd2 (developing the knight to a more passive square and guarding e4, but not blocking in the c pawn); and the solid 5. e3.

At this point there is no “best move,” and it’s just a matter of personal preference.  However, keep in mind that Cox does advocate that Black “hunt” down White’s dark squared bishop with an eventual g5 and Nh5.

By the way, IM James Rizzitano makes an interesting observation about the Torre in his excellent book, Understanding Your Chess (pg. 147):

The Torre Attack had an undeservedly poor reputation for many years because most of the opening theory consisted of games in which lower-rated players tried it against higher-rated opposition in an attempt to avoid opening theory. The stronger player usually won anyway, so the results were skewed against the opening. Over time many strong grandmasters have adopted this opening as an occasional weapon.

Chapter Four: The Hebden Torre

1.d4 Nf6 2.Nf3 e6 3.c3








Says Cox:

3 c3 is the Hebden Torre.  Mark Hebden was by no means the first to play the move, but he and the late Tony Miles have been far and away the most devoted GM practitioners, so I’m going to name it after him.  The move 3.c3 looks like a remarkably feeble effort, but actually White simply wants to avoid the system described against the conventional Torre in the previous chapter.  When compared to the move order 3Bg5 c5 4 e3, White also hopes that he may be able to go e2-e4 in a single turn.

Actually, I have been playing this system for years without knowing what it was called.  It just made sense to me to strong point d4 with my c3 pawn, play Nbd2, and then go for e4 in one move.

Cox recommendation for black here is 3…b6, obviously intending to place the light squared bishop on b7 and gain control of the e4 square. After 4.Bg5 Bb7 5.Nbd2, White is threatening e4, so Black breaks the pin with 5…Be7.  And now Cox gives three tries for White:

6.h4!?  This certainly looks eccentric, but Cox mentions that Hebden did have some success with it. (Indeed, Powerbook 2004 says that White has scored 79% with it!)

6.Qc2 White again looks to support e2-e4

6.e3 White simply gives up on advancing the pawn to e4 for the time being.

This last move, 6.e3 is the most popular choice here.  White solidifies his center, will finish his development, get castled, and only then play for a pawn break.

Chapter Five: The London System

1. d4 Nf6 2. Nf3 e6 (or d5) 3. Bf4








The main omission by Cox in this section that I can see is that he doesn’t give any suggestions for Black if they want to play a King’s Indian Defense.  Since the London is one of the main “d4-deviations” against the K.I.D., I would have expected him to give some suggestions in this line.

Since this review is starting to get long, I will not comment on the rest of the chapters, but just give diagrams/moves:

Chapter Six: The Colle System

1.d4 Nf6 2.Nf3 e6 (or d5) 3.e3








 








Chapter Seven: The Veresov

1.d4 Nf6 2.Nc3 d5 3.Bg5

 

Chapter Eight: The Blackmar-Diemer Gambit

1.d4 d5. 2.e4 dxe4 3.Nc3

(and here Cox recommends the interesting Lemberger counter-gambit!?) 3...e5!?








 








Chapter Nine: Anti-Benoni Lines

1.d4 Nf6 2.c4 e6 3.Nf3 c5 4. e3
(or 4. g3, 4. Nc3)

 

Chapter Ten: Rare Lines

1.d4 Nf6 2.c4 e6 3.Bg5








The Bottom Line

First, the good news: I am happy that a book has finally come out to address these so called, “d4 deviations.”  The book is nicely laid out and has a convenient index on the last page that lists all of the main variations.  Furthermore, Cox does give Black a pretty straightforward way to handle some of White’s main set-ups.

However, now comes the bad news.  There is simply no way to give adequate coverage to all the openings this book is trying to cover - certainly not in 144 pages.  I mean, Peter Wells book on the Trompowsky (Batsford, 2003) is 240 pages alone!

Perhaps Cox should have left out the Blackmar-Diemer Gambit, and covered the other openings in more detail.  After all, the kind of player that plays the London is not very likely to play the BDG.  However, players such as myself play a sort of mixture of Tromp, Torre, Colle and occasionally London set-ups, so greater coverage of these openings, to my mind at least, makes more sense.

Also, for some reason, the book feels a little too “clinical” for me.  What I mean by this is that although the author writes about the chess moves okay, I didn’t really get a feel for him as a player/person.  Now, you may argue that since this is an opening book, most are buying it simply for the moves, and thus don’t really care about who is writing them… but I disagree!  I think these days readers want and expect more from their chess writers.  For example, IM Andrew Martin comes across very friendly/personable because he seems like he’s talking directly to you as he throws in stories and anecdotes about the games to spice things up a bit.  While Cox does a good job in the introduction of listing the reasons why he used to not fair so well against “d4 deviations,” I would have liked him to share more of himself (and perhaps a few of his own games) throughout the text.

As a player who plays the White side of these types of set-ups, do I fear Cox’s recommendations?  No, but the good news for Black is that if indeed you were “playing by the seat of your pants,” you now have some suggestions/plans/set-ups you can follow.  I can recommend this book simply because there is nothing else really available on this material, and although it’s certainly not a bad book, the truth is I wanted to like it more than I did.  On a scale of 1-10, Dealing with d4 Deviations gets a 7.5.
 

From the Publisher's website:
     Author Biography and Booklist John Cox
 

Dealing with d4 Deviations
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