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chess fiction
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Great Grandma’s
Wooden Horses
by Russ Mollot |
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It was as a small child, perhaps 5 years old, that I first
saw the chess pieces. They were carved wood, and I was fascinated by the
interesting shapes – particularly the horses! My grandmother told me
that they had been given to her mother by some stranger when she was
traveling in some country that Grandma called Flanders. I often played
with those old wooden pieces, not realizing the amazing game that they were
created for.
Years later, when I joined my high school chess club, I
searched for those wooden pieces, but they were not to be found. I
told my mother about them, and she led me to a small wooden cabinet in the
cellar. In a drawer were a tin box of buttons, a envelope of yellowed
papers, and the wood box with my well-beloved chess pieces!
I
still have them today, and it was when handling a black horse that the idea
came to me for this little story. You see, the envelope in that
cabinet held a sheaf of papers with the most peculiar symbols and numbers,
which, not until last year did I realize were old-style
chess notation in German!
It was in April of 2004 that I happened to be in Interlaken,
Switzerland, on business, and saw a large group of men playing chess in a
park. It was some sort of tournament for which the first place winner,
by tradition, wins a kiss from the mayor’s daughter. As the current
mayor only had 3 sons, I had to presume that the cash prize was the only
incentive.
Anyway,
I am straying from the point of this little aside, which is that on looking
over the shoulder of the nearest player, I saw on his score sheet those very
symbols which I’d thought so cryptic long years before!
You can imagine my excitement. I could hardly contain
myself, and looked eagerly forward to returning home.
But, back in the USA, where could I find those long-lost
papers? My elderly mother, by then in a nursing home, did not know;
but she mentioned that my sister had kept the old 78-RPM phonograph records
from the old homestead. Perhaps she had also kept other old stuff.
Thus began days of searching through carton after carton of
“artifacts” stored in my sister’s garage. On the third morning, I was
rewarded not only by finding the by now crumbling envelope, but also the
original 78-RPM recording of “Wimoweh” (a.k.a. “In the Jungle”) by The
Weavers!
Anyway,
with the greatest care, I removed the contents of the envelope. There
were a few pages of notes and six score sheets, four so badly weathered as
to be almost unreadable.
I sent them all to my friend Terry at Shippensburg University (in
Pennsylvania) for translation. With help from some of his chess friends they
were able to piece together parts of one game, and nearly all of a second
game.
They were unable to read much at all from the other score
sheets. The really amazing discovery came a couple of days later, when
Matthew, a member of the local chess club, found the complete score of the
second game in an old copy of Bilguer’s “Handbuch des Schachspiels” (the
1922, fifth edition)!
Thus, it seems, the game that they reconstructed is one that
took place over a chess board one afternoon in 1907, in Oostende, Belgium.
A famous master, Jacques Mieses, had the White pieces against the great
Znosko-Borovski (Snosko-Borowski)!

As all but one of the other old score sheets were Mieses’
games, I presume that we were holding the very piece of paper on which
Jacques Mieses recorded this amazing victory! The game is, according
the Bilguer’s tome, known as either a Damenspringerspiel (Queen’s Knight’s
Game) or the Wiener Partie (Vienna Opening), and played as follows:
Oostende, 1907
J. Mieses vs Znosko-Borovski
1. e2-e4 e7-e5
2. Sb1-c3 Sg8-f6
3. Lf1-c4 Sb8-c6
In the
notation used, “S” stands for “Springer” (jumper) and
means the Knight. The “L” is used for Laufer, meaning Bishop. We
will also run into “D” for Dame, the Queen, and “T” for Turm, meaning a
Castle.
       
       
       
       
       
       
       
       
The action so far, looks tame enough, although so out of
fashion as to add to the mystique. They continue:
4. d2-d3 Lf8-b4
5. Lc1-g5
Mieses made some notes here that my friends insist translate
to “She is watching my game again!” Further along, this mysterious
“She” reappears, as you will see.
I have been wondering who “She” could have been, since the
old fellow was already married. Was his spouse attending the
tournament? Was it a female official?
Anyway, back to the game.
5 … d7-d6
Here, in the margin was written “Besser [better is] … h6!”
in a different ink, so this must have been added sometime after the game was
actually played (and added, I suspect, by a friend, as the old Master would
have written “h7-h6”, I think.)
6. Sg1-e2 Lc8-e6
       
       
       
       
       
       
       
       
The old man wrote a nasty expletive here, as he apparently
did not like his opponent’s bishop move.
7. O–O h7-h6
8. Lg5-f6:
Giving up the bishop pair (NOTE: the colon after the move
means that a capture took place.)
… Dd8-f6:
And Eugene Z-B brings his queen into play.
9. Sc3-d5 Le6-d5:
       
       
       
       
       
       
       
       
The point. The attack on Black’s queen virtually
forces an exchange, leaving neither side with a pair of bishops, and White’s
bishop gains the central d5 square.
10. Lc4-d5: Lb4-c5
There is another reference here, in the margin, to the
mystery lady: “She sits nearby – Heavens! So lovely!”
11. Ld5-c6:+ b7-c6:
Jacques liquidates his well-placed bishop for reasons known
only to himself. I speculate that maybe he just wanted to shout
“CHECK!” to get the attention of that young lady sitting nearby.
12. Kg1-h1 …
       
       
       
       
       
       
       
       
What is the Mieses up to??
Bilguer gives this move an
exclamation mark, and the following illuminating commentary: “Um f4
vorzubereiten; wenn Schwarz diesen Vorstoss durch g5 verhindert, so fuhrt
Weiss einen Springer uber g3 nach f5.”
Well, that certainly makes the matter clear. At least,
somewhat, because it means something like “In order to prepare for f4; if
Black prevents this attack through g5, White can send his knight via g3 to
f5.”
Better? So we can expect a battle at f4.
12. … d6-d5
Trying to create some counter-play in the center, I suppose.
13. f2-f4 e5-f4:
14. Tf1-f4: Df6-e7
       
       
       
       
       
       
       
       
Bilguer points out that if, instead, Black’s queen captures
the pawn at b2, then d4 by White pushes Black’s bishop to b6, then 16.a4 …
a5, and rook to f3! gives White a strong attack.
15. d3-d4 Lc5-b6
16. Se2-g3 O–O–O
Seems surprising. However castling kingside would have
been even more dangerous, because of N-f5.
Think that was observant of me? It’s Bilguer’s.
17. e4-e5 c6-c5
18. c2-c3 Kc8-b8
       
       
       
       
       
       
       
       
20. a2-a4! a7-a5
If bishop to a5 instead, then 21.b4! … bishop takes b4,
22.a5! and maybe the queen will come to a4.
21. b2-b4!
Jacques is getting good marks!
21. … De7-b4: (she grabs)
22. Ta1-b1 Db4-e7 (she runs)
23. Dd1-f1! Kb8-a7
       
       
       
       
       
       
       
       
Bilguer says “Black has no sufficient defense; if he
takes time to defend the f7 pawn, then Queen to a6 will be decisive.”
Now comes more fireworks…
24. Tb1-b6:! …
Jacques Mieses sacs the rook to slice open the meager
defense.
24. … Ka7-b6:
For “extra credit” … what should White do if the c-pawn
takes the rook instead?
25. Df1-b5+ Kb6-a7
26. Db5-a5:+ Ka7-b7
27. Tf4-f1 Td8-b8
Hey, wake up and smell the waffles! This won’t help.
28. Sg3-f5 De7-e6
       
       
       
       
       
       
       
       
29. Sf5-d6+ …
Another sacrifice demolishes the last “fortification”.
29. … c7-d6:
30. Tf1-b1+ (resigns)
Checkmate follows no matter what (if Kc8, then the white
queen will check on a6 and again on a7 and the black king has nowhere to
retreat except the back rank, when White’s rook moves up for the kill.)
The other game that was only partially readable came from a
score sheet that was severely damaged and was clearly not in Mieses’ hand.
The names of the players are not filled in, but several things are apparent
to the several experts whom I have consulted:
-
The game was played during
the Oostende, Belgium tournament, although it is not certain that it was one
of the officially scheduled games (i.e., it may be an “offhand game”);
-
From the many scrawled
notes (mostly unintelligible), it belongs to an Englishman;
-
The opening is most
unusual, but the middle-game style resembles that of Pillsbury.
There is some speculation that this crumbling sheaf of Eaton
stock holds a game between some unfortunate Flemish expert and the
mysterious D. Pillsbury, the younger brother of the more famed master.
There are many ink smudges, a couple of holes in the page, and what appears
to be dried oatmeal on the paper.
Nevertheless, most of the missing moves may be deduced from
the context of the moves that remain readable. I hope to complete the work
of unraveling the mysteries contained in this frail document, and perhaps
present the game, with fresh commentary and modern insights, sometime in the
future.
Last-second addendum – as I was just about to mail this
article for publication, I had an interesting thought. What if the
mysterious lady who so captivated Jacques Mieses was none other than my
great grandmother?
What if that old box of carved wooden chess pieces
was given to her by Mieses at the Oostende tournament? She was, after
all, in Flanders, which is an area encompassing much of Belgium!
Could
those just possibly be the very same pieces once used by Jacques Mieses to
defeat Eugene Znosko-Borovski nearly a century ago?
Unfortunately, I will never know the answer...
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