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Chessville Plays
20 Questions with
GM Raymond Keene
Interviewed by
Phil Innes |
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Chessville: In an unpublished memoire of the
cold war you say how you smuggled information out of Moscow, foiling the KGB
at the airport – tell us about what you know about smuggling and the KGB
does not.
GM Ray Keene, OBE: I read the letters with
Gulko's permission - memorised them (I have organised around ten world
memory championships so I know a little about this topic) and gave
transcripts to Olafsson when I got out. Essentially I used my brain;
the caviar the KGB border guards had confiscated, I repacked quickly while
they were searching my other luggage for the letters, which I knew they
could never find!
Chessville: This information was important
since it related to the plight of refuseniks, Jewish persons seeking to
leave Russia – in this instance of the Russian champion GM Boris Gulko – why
did the Western press neglect to publish much of substance at that time, to
the extent that the oxford companion to chess chose the euphemistic
expression that Gulko was “away from chess”?
RK: You just don’t know how scared and
deferential the chess world was to the Russians then - if they withdrew
players or visas or whatever they could make life very hard for any
professional chess player writer or organisation. I think they somehow
respected me because I was very friendly with them but also made no secret
that I detested their regime and communism as a whole - even though I
fraternised with refuseniks and was Korchnoi's second it never stopped me
having trips to Russia and negotiating with them at very high levels-as when
I personally terminated the boycott against Korchnoi in 1983.
Chessville: In published and unpublished
works Andras Adorjan says that despite strong chess playing computers and
electronic databases, the quality of chess seems less to him than 30 years
ago. Do you agree with this statement? And if so, do you attribute a lack of
originality to modern players as does Adorjan?
RK: I think the tactical quality has
risen-chess often used to be a seamless garment as one super gm rolled up an
opponent who made an error. The top GM games were Napoleonic in conception.
Now they are fragmented and guerilla in nature-if someone is going down
strategically he now mixes it - computers have propelled this fragmentation
process-to dinosaurs like Adorjan and myself modern top level games often
seem to lack a theme or continuity-but that doesn’t mean they are worse - I
think it means that hidden resources are sought and exploited and the nature
of the battle leads to more errors - so do faster time controls.
Chessville: Your new title [forthcoming] on
Tony Miles, who was the first British GM, describes his colourful career and
playboy life-style. Did his success have an effect on your own, and your
contemporary’s, desire to become grandmasters?
RK: Not on me- I made my first norm before Tony
made any - then he made 2 and I made another. It probably encouraged Stean
Mestel Speelman Nunn who doubtless all thought themselves stronger than
Miles -hence- if he can do it so can I!
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GM Raymond Keene, OBE
Raymond Dennis Keene (b. 29 January 1948) is an influential figure in
the chess world off the board, bringing many notable chess events to
London. He is also the author of a significant number of chess
books, including a well respected treatise on Nimzowitsch titled Aron
Nimzowitsch: A Reappraisal, and a chess book claimed to have been
authored over a weekend!
Educated at Dulwich College and Trinity College, Cambridge (where he
studied modern languages), Keene rose to prominence in the chess scene
in the early seventies. He won the British Chess Championship at
Blackpool in 1971. At that time the UK had no GMs, and its best
known player was the highly respected Jonathan Penrose (who famously
beat Mikhail Tal in 1960). Keene was part of the first group of
British players to achieve the necessary norms to become a GM - beaten
to the finish line in 1976 by Tony Miles for the title of first British
GM.
Keene's playing style tended toward to strategically original and
positional. Favouring hypermodern openings such as the Modern
Defence, his style of play was strongly influenced by Nimzowitsch, and
thus his adoption of Indian-type openings and positions (including the
Nimzo-Indian Defence and the King's Indian Defence).
However, it is not as a player Keene is best known. His contributions
to the organizational side of chess contrast with the mire of
politicking and back-biting that sometimes overshadowed his
successes.
Keene is also responsible for a number of significant chess events:
- Keene was Viktor Korchnoi's second during his World Championship
match against Anatoly Karpov in Manila 1978.
- Keene brought Viktor Korchnoi and Garry Kasparov together for the
famous 1983 Candidates semi-final match in London. This match
was a pivotal moment in Kasparov's march to the World Championship.
- Keene arranged for the first half of the 1986 World Championship
return match between Kasparov and Karpov to be played in London.
- Keene was the instrumental force behind 'Brain Games', which
organised the Kasparov vs Vladimir Kramnik match.
Keene remains the chess correspondent of The Times newspaper,
and The Spectator magazine, as well as the International
Herald Tribune, and will probably remain influential in the chess
world for the years to come.
Keene occasionally appears on television, most notably as main
presenter of Duels Of The Mind, a series which aired on the UK
ITV network. |
Chessville:
Après-Miles, a veritable flood of British talent succeeded to gm-level,
with twice as many native born GMs as in the USA, for example, despite UK
having 1/5th the population. How can you explain this?
RK:
Very complex - I wrote a book on it - the English Chess Explosion -
something self reliant - the essence of chess shot to the surface around
that time in the UK in business - politics and chess - I fear it has since
receded - new Labour makes herd animals of us all! They tighten the screws
every day and the British public moos back in bovine obeisance. It’s
sickening.
Chessville:
When interviewing Mark Taimanov, I asked him
which composer’s style he thought his chess play most resembled, thinking
wrongly that he would answer ‘Rachmaninov.’ Instead he chose Chopin
for ‘his harmonious development’. For Gary Kasparov gospodin Taimanov
subscribed Shostakovitch, for, ‘complexity.’ Since you have known
Kasparov well, do you agree? And who is Ray Keene’s play most alike?
RK:
Kasparov Beethoven - me Mahler.
Chessville:
A mysterious aspect of grandmaster play is their preparation for chess.
How do you allocate time for a serious event proportionally among: (a) study
of the opponents, (b) your own repertoire, (c) practice games, (d) other
factors? Do you suggest the same routine for the regular club player?
RK:
Its all changed - databases have made opponents games far more readily
available at GM level but not at club level - so I recommend club players
get their own repertoire sorted as a priority - because their opponents
games won't be so freely accessible; GMs can trawl for opposition weaknesses
as a priority.
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Chessville:
Who did you ever most fear as an opponent and why?
RK:
Timman, he was very self confident. I only beat him once - the self
confidence masked his errors.
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Chessville:
What allowed G. Kasparov to dominate world chess for 10 years? Is there
anyone currently on the chess scene likely to match that performance?
RK:
Incredible energy and mental flexibility - no replacement I can see - BTW it
was closer to 15 years.
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Chessville:
Women in chess are achieving ever higher levels of performance and in
greater numbers of participation; wearing Merlin’s famous Predicting Hat,
which three countries will first have a woman as national champion, and how
long will it be before a serious challenge to the world champion is upon us?
RK:
The three countries will probably be very small such as Tuvalu or Vanuatu or
slightly fringe e.g. Australia - Angela Song is already the Australian
all-comers junior champion; the top Oz, GM Rogers, has been their best
player for a quarter of a century – that’s actually too long and implies
stagnation and a revolution open to female players in the offing - I can't
see an all-comers female world champion for a very long time.
Chessville:
The late Arnold Denker wrote in 1947: “…the Russian masters
have been combing the archives to retrieve and improve upon hundreds of
apparently ‘hopeless’ attacking variations, infusing new life into forgotten
lines of play. The pendulum is ever moving…” Where is
Arnold’s pendulum moving in 2006? Whose work is currently supplanting
the ‘Russian masters’ if any? And is the process the same now as then?
RK:
Yes - computers are doing it - just look at Kasparov's
MGP Vols.
Chessville:
If any nation could surpass Russia in the first tier of chess will it be
the relatively new, yet prodigious, efforts of China, who have already
claimed the women’s title?
RK:
Yes – China - they will take over the world in everything in the next 50
years!
Chessville:
Politics! Famously, you championed Kasparov’s break-away from FIDE
as a more player-oriented option. We are now on the cusp of critical
point in FIDE’s history, and an election which will determine how much of
world chess is transacted in the early C21st. What are the most
critical aspects, in your opinion, that a future FIDE needs to achieve in
world chess?
RK:
Sponsorship, sponsorship and sponsorship - We look like idiots having a WCC
match in Elista rather then Paris, Berlin, London, Madrid or New York.
Chessville:
Advise three essential elements to include in any chessplayer’s
repertoire in order to significantly improve their game. Conversely,
what holds back most players and should be discarded?
RK:
Physical fitness; a defence with black to e4 and d4 which you trust;
knowledge of the most common endgames, vital since there are no longer
adjournments; --- fear.
Chessville:
In your book on The English Defence, e6, b6, bb7, you feature two
games by Miles against Adorjan, Biel 1983 and Gjovik 1983, both of which are
roundly refuted. As a technical aspect of writing opening books, what
effect does this have on the variation? In the past 25 years have
players abandoned Miles’ line, or do we see new resources in it? Or
indeed, are openings merely fashionable, and not so dependent on any
technical precedent?
RK:
As I said what was refuted often gets revived by computers - positions I
once regarded as hopeless turn out to be defensible.
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Chessville:
You once unearthed an interesting cache of chess material at the home of
Marcel Duchamp in France. Who was their author; what was their
subject; and have they ever been published?
RK:
It was Duchamp copying of Nimzowitsch's writings - I described this in my
preface to the book Winning with Hypermodern Chess Strategy,
co-authored by Dr Eric Schiller - see
www.hardingesimpole.co.uk.
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Chessville:
Classical chess is often said to be played-out and spoken of as if
virtually solved. In editing such a monumental work as Batsford’s
Chess Openings (BCO) what percentage of its lines would you estimate are
unclear or of open-ended fortunes?
RK:
Everything is up for grabs now computers can analyse well - apparent big
advantages turn out to be meaningless - meanwhile-minute plusses can
apparently be converted - we are almost facing a new game. An example
from checkers - the Chinook computer came close to defeating the great
Tinsley at checkers and was clearly slightly better than all other human
opposition. A big tournament was held a few years ago - the Chinook
programmers threw away its openings book and let it play from scratch - It
won by a humungous margin.
Chessville:
Why should parents give serious thought to introducing chess to their
children and encouraging participation in the game?
RK:
Helps to ram home the message that there is a relationship between study and
reward.
Chessville:
Who have been Ray Keene’s influences throughout his career and what did
each contribute?
RK:
Nimzowitsch, Petrosian -- abilty to manoeuvre, prophylaxis blockade; Reti -
the power of the fianchetto.
Chessville:
Your columns in The Spectator, the Times, the
International Herald Tribune, plus some 130 books, frequent interviews
and correspondences must have confronted you with every manner of chess
question. Is there still a question you wish someone would ask, but
hasn’t? Ask yourself and answer it!
RK:
Chess has a great history of gladiatorial combat to decide the world title -
world chess champion used to mean something - ever since the days of Bobby
Fischer bureaucrats have been trying to undermine the title so that the
champion becomes subordinate to the officials. By and large the great
individuals who have been champions have resisted this but now I fear it
will all be thrown away if the world championship match is abolished.
It is like the line from Othello--"threw a pearl away richer than all his
tribe."
Index of Other 20-Questions Interviews
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